Tuesday, 28 January 2014

ACT Part 2: Verdi's Requiem @ ROH Purfleet: Another Sound Visualisation Challenge Begins!

High House Production Park, Purfleet

Following CGAA's successful participation in last year's ACT project, in which our students, staff and alumni collaborated to create an animation inspired by composer Darius Milhaud's 1923 ballet, La création du monde, we've been challenged by ACT once again to visualise classical music in new and speculative ways.  The piece in question is Giuseppe Verdi's mighty Requiem (1874), a musical setting of the Roman Catholic funeral mass.  Verdi's ninety minute Requiem is perhaps best known to most of us by the explosive Dies Irae or Day of Wrath:

On the evening of July 3rd and 4th at the Royal Opera House's High House Production Park at Purfleet, Verdi's Requiem will be performed live by an ensemble of 300 musicians - and beamed live via a screen into the Production Park's orchard.  Our mission is to devise an innovative way of visualising the music of the Requiem that will compliment and enrich this outdoor concert and bring new dimensions to Verdi's operatic masterpiece.

The Orchard

Work on this project began back in December 2013, when Pete Wallace of Butch Auntie fame travelled to Amiens, France with a very specific remit.  Pete's mission was to turn a live performance of Verdi's Requiem into raw data - not by recording the music itself, but rather by capturing the performance as experienced by its various participants.  Uninspiring as it may seem, the great long list of numbers below is a direct transcript of Verdi's Requiem, as generated from moment-to-moment by the gesticulations of the orchestra's conductor, Arie van Beek, who was wired up to Kinect technology for the duration of the performance.

Pete was similarly able to capture the Requiem via the activity of the lead cellist's arm and by the heart-rate of a member of the choir. In simple terms, Pete came back from Amiens with 'lightning in a bottle'; the vivacity and verve of Verdi-performed-live encompassed in a series of spread-sheets.

Our creative task now is to again let loose that vivacity, that verve - to translate these numerical expressions of music into something extraordinary.  It's early days, and the precise form our visualisations-of-Verdi may take on that July evening in the High House orchard are as yet unknown, but we think we'd like to manifest them physically.   Our thoughts - barely more than vague impressions at this stage - have turned to the kinetic sculptures of Alexander Calder and the fluid delicacy of tensile fabric structures:

What we do know is that we'll be using Maya, animation, and you - the CGAA community - to get us there. We know too that CGAA alumni Ethan Shilling is joining us for this project and will bring his considerable technical expertise and creativity to the mix.

Exactly what happens next is uncertain.  How exciting!  But what happens will happen here on the ACT blog, so watch this space for updates.  As of now, CGAA's Mission Verdi is go.

Sunday, 26 January 2014

La création du monde @ Maison de la Culture d'Amiens. More photos.

More photos from the recent performance of Darius Milhaud's La création du monde at the Maison de la Culture in Amiens, France. Featuring visuals produced by students, staff and alumni from CG Arts and Animation at UCA Rochester.


CGAA @ Amiens @ UCA

Our recent trip to Amiens gets the official UCA write-up here.

La création du monde @ Maison de la Culture, Amiens, France - December 19th, 2013

Back in July, audiences at a classical concert were entranced by a sixteen minute animation that synched seamlessly with a live performance of Darius Milhaud's 1923 ballet, La création du monde.  The animation originated from a multi-participant collaboration in response to ACT- A Common Territory, a project funded by the European Union's Interreg IVA Channel Programme, which aims to engage the creative and cultural industries in the UK and France. Over a period of ten consecutive week days, the students, staff & alumni of BA (Hons) CG Arts & Animation were challenged to produce abstract digital paintings in synesthetic response to segments of Milhaud's ballet. The CGAA community were asked to listen to each musical extract and then respond to it visually through the creation of original digital paintings in Photoshop.  CGAA alumni Thomas Beg and Jordan Buckner then created the animation from the digital paintings using Autodesk Maya and After Effects.

The July concert was a great success and the animation lauded by the audience and project co-ordinators - so much so that we were invited to participate in a second performance of Milhaud's ballet - this time at the Maison de la Culture in Amiens, France.

A little after 9.30pm on December 19th, after a very long day of set-up and back-stage preparation, the house lights dimmed and the musicians of the Orchestre de Picardie began to play the first, melancholy notes of Milhaud's ballet.  Behind them, rear-projected onto the theatre's pristine twelve metre screen, our animation began to play too - with an audience of 600 people looking on. 

I'm including here the email I received from Rose Bardonnet Lowry - executive director of the Orchestre de Picardie and ACT co-ordinator:

"Didn't have a chance to congratulate and thank you, as well as Jordan and Tom, for the wonderful performance tonight! The audience loved it!!!  Listeners were quite stunned by the novelty of it all. We'll certainly have 2 more opportunities of performing the Milhaud piece with visualistion in 14-15, so I hope you will all be ready to come back to Picardie."

It looks to me as if our recent adventures in Amiens might be the first of many!  I think we can all be rather proud of ourselves, don't you?

La création du monde - the animation