On Wednesday 14th of January, I traveled with Computer Animation Arts' Phil Gomm to the historic French city of Amiens, with the purpose of documenting, via the medium of photographic film, dress rehearsals for a performance of Benjamin Britten's, Noye's Fludde at the spectacular, Cirque Jules Verne. Featuring work produced by Computer Animations Arts, the production was an ACT collaboration project combining Britten's original lo-fi, amateur-based intent, with fascinating modern visual production and design. Keeping in spirit with the analogue approach, I took along some classic photojournalist black and white film and also modern colour film hoping capture the energy and buzz of the event as faithfully as I could. While it wasn't always easy, I hope these photos at least portray that sense of atmosphere and excitement, felt by all the performers, artists and technicians in the lead-up to the final performance.
Tuesday, 27 January 2015
Sunday, 25 January 2015
|Noye's Fludde - Cirque Jules Verne, Amiens, France, 15th January, 2015|
As regular followers of the Computer Animation Arts blog and PWTM will know, the students, staff and alumni have been involved in a series of exciting 'extra-curricular' projects, challenging us to think about the contexts for CGI in new and speculative ways.
By way of a fitting finale to these European-funded ACT collaborations, the course worked alongside a multiplicity of different collaborators in the staging and performance of Benjamin Britten's mini opera, Noye's Fludde - an opera intended for largely amateur performers. Think of it as being a little like a school nativity play - a performance not characterised by high polish or showy stagecraft, but rather by lo-fi charm and ad-hoc energy.
With this in mind, we approached our brief (the design and execution of a flat-pack, fold-up ark, rainbow, and various celestial bodies), with the same emphasis on keeping things very simple. We wanted the various objects to look as if children might have created them at school in an arts and crafts lesson, so we looked at simple folding mechanisms and paper boats. CAA alumnus, Ethan Shilling, created a series of visualisations that were sent to kite-maker, Karl Longbottom, whose job it was to turn our CGI proof-of-concepts into performance-ready physical props.
Animated visualisations by Ethan Shilling
The physical props as created by Karl Longbottom
|The Ark upright with stepladder mast|
|Kite-maker, Karl Longbottom with our fold-out rainbow|
|Our sun, moon & stars|
On Wednesday 14th January, CAA alumnus, Tom Beg accompanied me to the Cirque Jules Verne in Amiens, France, to document the rehearsals for Noye's Fludde. Tom's photographs will showcase soon here on the group blog. I'm sharing here images taken during the Thursday dress rehearsal, which was the first time all the component parts of what has been a complex collaboration came together. Needless to say, it was an exciting moment, and as these photographs show, the venue was magical in terms of sheer theatricality.
|The foyer of Cirque Jules Verne|
|The venue's glorious ceiling!|
|Before the orchestra arrive...|
The Dress Rehearsal - Thursday 15th January 2015
|Our 'Pop Up' ark 'popped up'!|
|Arie Van Beek conducts (and last seen transformed into seven pieces of sculpture!)|
|The arrival of the animals|
|The coming of the flood, as created by children holding tiny LEDs|
|Close Encounters of the Theatrical Kind!|
|The sun comes out after the storm|
|The sun, moon & stars, as created by artist, Tine Bech.|
|Final tableau with rainbow and celestial bodies|