After clipping and aligning the data to find the ‘true
concert’ the next stage was to cut the performance in to manageable sections so
that each generated curve would be more musically and visually specific. Each
section of the seven chosen represents a natural break in the music, these are:
1: Requiem
2: Dies Irae
3: Offertorio
4: Sanctusi
5: Agnus Dei
6: Lux Aterna
7: Libera Me
To achieve this in Maya the timeline was adjusted (using
a little math) to pinpoint the frames representing the breaks, fine tuning by
ear was also needed to nuance the start and end of the break. Using the new time codes curves were generated for each data stream, shown below.
Requiem
Dies Irae
Offertorio
Sanctusi
Agnes Dei
Lux Aterna
Libera Me
The next step: Giving each curve physical form...
so exciting to see these categorised like this - so well done to both Alan and Ethan in getting us to this stage :)
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